I have seen my share of action movies, monster movies, and, to my chagrin, horror movies, but seldom have I seen a movie that treated the human body so callously, so coldly, or so cavalierly as Bong Joon-ho’s Mickey 17.

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The director Bong Joon Ho’s new movie, Mickey 17, at first seems like a major pivot from his previous one, 2019’s Parasite. After winning Best Picture at the Oscars for the domestic (if gonzo) Korean black comedy,