Over at the website of the Bob Moog Foundation, electronic music historian Thom Holmes has an interesting post about some lesser-known cinematic uses of the Moog, the pioneering analog synthesizer ...
Netflix’s ever-shifting catalog is subject to sudden deletions and additions, the latter skewed far more to recent fare than a balanced sampling of all film history. Still, careful mining reveals a ...
Shantrelle P. Lewis’ feature documentary debut, In Our Mothers’ Gardens, calls forth and preserves the family histories of several Black women from Lewis’ life, traces each of their past joys and ...
This is a phrase I hear thrown around often, I am pretty sure it was used in Girls two episodes ago, when Hannah decides to take a position substitute teaching after dropping out of graduate school. I ...
If you were a director or producer coming up in the New York independent film scene of the early 1990s, you wanted to work with Thérèse DePrez. Right out of the gate as a production designer, DePrez, ...
Neither Barbie production designer Sarah Greenwood nor set decorator Katie Spencer had Barbie dolls growing up. “Or a DreamHouse, or anything,” recalls Greenwood, who joined Filmmaker on Zoom ...
If you’re looking to make a horror film simply because you think it might be an easy road to notoriety, you’d be dead wrong. This is a dish that’s best served cold by filmmakers who are fans — those ...
2001: A Space Odyssey, Aftersun, Charlotte Wells, György Ligeti, Lucy Bright, Michael Nyman, music supervision, music supervisor, Oliver Coates, philip glass Early in music supervisor Lucy Bright’s ...