I have seen my share of action movies, monster movies, and, to my chagrin, horror movies, but seldom have I seen a movie that treated the human body so callously, so coldly, or so cavalierly as Bong Joon-ho’s Mickey 17.

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The director Bong Joon Ho’s new movie, Mickey 17, at first seems like a major pivot from his previous one, 2019’s Parasite. After winning Best Picture at the Oscars for the domestic (if gonzo) Korean black comedy,

Bong Joon-ho follows up his Oscar-winning success 'Parasite' with the sci-fi film Mickey 17, starring Robert Pattinson. Can it match his previous triumph?

With Bong’s long-awaited follow-up to “Parasite,” “Mickey 17,” now in theaters, IndieWire is taking a look at Bong Joon Ho’s filmography to determine which of his films stands the tallest. Read on for all eight of Bong’s movies, ranked from worst to best.

Multiple Robert Pattinsons, frequent tonal whiplash and some an alien planet full of "creepers" highlight the latest English-language film by Bong Joon-ho, the South Korean filmmaker behind 2019’s Oscar-winning “Parasite.

This article was originally published in February 2020 after Bong Joon Ho’s Parasite won the Oscar for Best Picture. With Bong’s latest, Mickey 17, in theaters, we’re running this guide again.

From croissants to puppies in 'little cute hoodies,' filmmaker Bong Joon Ho talks about the conceptualization of the creepers in 'Mickey 17.'

An intimate sci-fi epic, comical yet serious, romantic and gleefully bonkers, “Mickey 17” is South Korean filmmaker Bong Joon Ho’s first film since winning a record-busting four Academy Awards

The Warner Bros. film, starring Robert Pattinson, still won the weekend despite coming in on the lower end of expectations.

Of course Bong Joon Ho is an environmentalist. He recycles his own ideas."Mickey 17," a sloppy but enjoyable sci-fi comedy set in the year 2054, mashes together the monsterphobia of "The Host," the animal-rights activism of "Okja,